craft-fair

Urban Makers at Old Spitalfields — Wednesday 30 September

By Urban MakersWed, 30 Sept 2026 · 11:00–17:00Add to my calendarOld Spitalfields Market

Our weekly midweek maker market in the covered hall at Old Spitalfields. Free entry, 11am–5pm.

About this event

Our weekly midweek maker market in the covered hall at Old Spitalfields. Free entry, 11am–5pm.

Where

Old Spitalfields Market

16 Horner Square, Spitalfields, London E1 6EW

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Good to know

Free entry

No ticket needed — just turn up. Bring a bag for life.

Step-free access

The whole market is step-free with accessible toilets on site.

Getting here

Please travel by public transport or bike — there is no visitor parking.

Meet the makers

  • Crumb & Cranny

    Food & drink

    I bake with a sourdough starter I have kept alive for nine years and a stone-milled flour from a farm in Suffolk.

    website@crumbandcranny

  • Foundry Fern

    Jewellery

    I do my own casting, which most makers at my scale send out.

    website@foundryfern

  • Grogged

    Ceramics

    I use heavily grogged clay, the coarse stuff meant for sculpture, and throw it anyway.

    website@groggedceramics

  • Lost Wax Lane

    Jewellery

    I carve wax models under a magnifying lamp, which is how I lose whole afternoons.

    website@lostwaxlane

  • Quiet Hammer

    Jewellery

    My whole range is forged from a single gauge of square wire, twisted, tapered and curled into bangles, ear cuffs and open rings that you squeeze to fit. Because it is all one material there is very little waste, and offcuts get soldered into chain links. I work in brass for the affordable end and silver above that. The finish is deliberately dark, brought back with beeswax rather than lacquer, so it keeps ageing after it leaves me.

    website@quiethammer

  • Riverbed Jewellery

    Jewellery

    I roll-print my silver using dried grasses, feathers and lace collected on walks, running them through the mill under enough pressure to leave a permanent impression. Those textured sheets become domed pendants, wrap rings and long earrings. Then I oxidise everything and polish the raised parts back so the pattern reads clearly. Nothing survives the mill twice, so a pattern is only ever used once. I have been trading at London markets since 2019 and most of my customers now come back for the next one.

    website@riverbedjewellery

  • The Balm Room

    Bath & body

    I infuse oils with herbs for six weeks in a sunny window before I make anything, which is the slow step everybody skips. Calendula for a nappy balm, comfrey for aching hands, plantain for bites and stings. From those oils I make small pots of balm with beeswax from a beekeeper in Kent. Everything is safety assessed by a cosmetic chemist and batch numbered, because I take that part seriously even at this scale. Tins are aluminium and I refill them at markets for a discount.

    website@thebalmroom

  • Wildseed Jewellery

    Jewellery

    Enamel is my material.

    website@wildseedjewellery

  • Woad & Weft

    Textiles & accessories

    I keep an indigo vat going in my back yard and feed it like a sourdough starter, which is exactly as odd as it sounds. Everything I dye is shibori: bound, folded or stitched before it goes in, then unpicked wet to reveal the pattern. I dye linen napkins, cotton bandanas, silk scarves and a small run of cushion covers. The blue oxidises from green to indigo in front of you as it comes out of the vat, and I bring a small vat to markets to demonstrate.

    website@woadandweft

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