craft-fair

Urban Makers at Old Spitalfields — Wednesday 9 September

By Urban MakersWed, 9 Sept 2026 · 11:00–17:00Add to my calendarOld Spitalfields Market

Our weekly midweek maker market in the covered hall at Old Spitalfields. Free entry, 11am–5pm.

About this event

Our weekly midweek maker market in the covered hall at Old Spitalfields. Free entry, 11am–5pm.

Where

Old Spitalfields Market

16 Horner Square, Spitalfields, London E1 6EW

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Good to know

Free entry

No ticket needed — just turn up. Bring a bag for life.

Step-free access

The whole market is step-free with accessible toilets on site.

Getting here

Please travel by public transport or bike — there is no visitor parking.

Meet the makers

  • Anvil & Ivy

    Jewellery

    Everything I make starts as flat sheet or round wire and gets hammered into shape on a small stake anvil I inherited. That means the surfaces keep their planishing marks and catch the light unevenly, which is the whole point. I make wide cuffs, forged bangles and drop earrings in recycled sterling and brass. No stones, no plating, nothing that will chip. If a cuff needs resizing years later, bring it back to a market and I will sort it on the spot.

    website@anvilandivy

  • Crackle & Glaze

    Ceramics

    I chase crazing on purpose.

    website@crackleandglaze

  • Crumb & Cranny

    Food & drink

    I bake with a sourdough starter I have kept alive for nine years and a stone-milled flour from a farm in Suffolk.

    website@crumbandcranny

  • Graphite Yard

    Stationery

    I make desk things in a small workshop: pencil cases from waxed canvas, turned wooden pen rests, and a leather roll that holds twelve pencils.

    website@graphiteyard

  • Grogged

    Ceramics

    I use heavily grogged clay, the coarse stuff meant for sculpture, and throw it anyway. It shreds your hands but the finished pots have a wonderful sandpaper edge. My range is planters, kitchen crocks for utensils, and big salad bowls that get passed around a table. Interiors are glazed in glossy cream or deep blue, outsides left raw so they darken with handling. I work in runs of twenty and rarely repeat a glaze beyond a single season.

    website@groggedceramics

  • Kilnfolk

    Ceramics

    I run a small community kiln and make my own work around teaching evenings.

    website@kilnfolk

  • Koji & Co

    Food & drink

    I grow koji on barley in an incubator I built from a broken wine fridge, then use it to make miso, shio koji and a fermented chilli paste.

    website@kojiandco

  • Marigold Mending

    Textiles & accessories

    My work is visible mending, done deliberately loud.

    website@marigoldmending

  • Offcut Studio

    Woodwork

    Everything I make comes from the skips of joinery workshops across east London, which means my material is free and completely unpredictable.

    website@offcutstudio

  • Ore & Origin

    Jewellery

    Traceability is the reason I started.

    website@oreandorigin

  • Paper Cartographer

    Print & illustration

    I draw maps by hand of things that are not usually mapped: every lido within the M25, the lost rivers of east London, the route of a walk somebody sends me.

    website@papercartographer

  • Peculiar Pies

    Food & drink

    I make hand-raised pies with a hot water crust, moulded around a wooden dolly rather than baked in a tin, so they stand up on their own and have that thick shattering pastry. Fillings are pork and sage, a spiced mutton, and a mushroom and stout one for the vegetarians which took me a year to get right. Meat comes from a butcher in Kent who tells me the farm. Everything is baked the morning of a market and sold at room temperature with a pot of mustard.

    website@peculiarpies

  • Riverbed Jewellery

    Jewellery

    I roll-print my silver using dried grasses, feathers and lace collected on walks, running them through the mill under enough pressure to leave a permanent impression. Those textured sheets become domed pendants, wrap rings and long earrings. Then I oxidise everything and polish the raised parts back so the pattern reads clearly. Nothing survives the mill twice, so a pattern is only ever used once. I have been trading at London markets since 2019 and most of my customers now come back for the next one.

    website@riverbedjewellery

  • Slipstone Studio

    Ceramics

    I make functional tableware for people who cook a lot.

    website@slipstonestudio

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Moderate refunds. Full refund available until 7 days before the event.

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